“Count Basie’s swing arrangements are not blaring, but they contain more drive, more power, and more
thrill than the loudest gang of corn artists can acquire by blowing their horns apart.” i
The Kid from Red Bank
On the River Navesink
Red Bank Boogie
One O’Clock Jump
Stomp and stamp and stump the band
Give the man a mighty hand
Fats Waller knees
William Basie’s simple swing
Keep your flashy bling-bling-bling
Count will swing and swing and ring
Elegant and clean
Meet you on Mechanic Street
Lobster twitching up a leg ii
Mobsters in old Kaycee days
and Jo Jones,
Thad and Mr. Quincy Jones,
Frank (The Kid from Hoboken) once but skin and bones
i McNally, Dennis. Desolate Angel: A Biography, Jack Kerouac, the Beat Generation, and America. (New York:
Random House. 1979). p. 38.
ii Horricks, Raymond. Count Basie and His Orchestra: Its Music and Its Musicians. (New York: The Citadel Press.
1957). p. 23.
“I want to be considered a jazz poet . . .” i Don’t miss Mark Murphy’s 1981 recording “Bo...
A gentle creature A slender young woman, fifteen years and nine months With very large eye...
The summer, the fall, and the winter of discontent, shovel after shovel of snow that turns...
In his new book, Ambiguous Borderlands: Shadow Imagery in Cold War American Culture, Dr. E...
Lobster tail in downtown Red Bank A big lovely lobster tail sprinkled with confectioner’s ...
The Beat Generation, it seems, dominated American culture between two major wars. The hist...