The Greatest Road Movie Never Made
Jun25

The Greatest Road Movie Never Made

  Brando should have played Dean; Jack’s 1957 letter to Marlon asking him to buy the film rights to On the Road is a cry in the dark night of his tormented soul. Marlon would have been stellar. Think of the young Marlon Brando as Stanley, Johnny, Terry, or even Sky – a guy straight out of the Omaha, Nebraska, heartland – wild, unorthodox, intelligent, rebellious, athletic, and the Zeus of Adonises. Team him with movie-star...

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Bloomsday Thoughts: Kerouac & Joyce
Jun16

Bloomsday Thoughts: Kerouac & Joyce

“In those days I was writing a Joyce-like novel in which I was the Dedalus; and called myself Duluoz. Let’s do that now. Duluoz the Ladysman!” - Jack Kerouac The fiction of Jack Kerouac is heavily inspired by the work of James Joyce. He liked to compare himself and his work to Joyce, and his hero, Neal Cassady, was sometimes compared to Joyce in Kerouac’s letters. Indeed, Kerouac even took inspiration for his...

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The Holy Ghost Scroll
Jun06

The Holy Ghost Scroll

“Giroux insisted that the manuscript would have to be cut up [cut ups] and edited. Kerouac . . .  refused . . . telling Giroux that the “Holy Ghost” had dictated the novel.” i “There’ll be no editing on this manuscript . . . “This manuscript has been dictated by the Holy Ghost.” ii The Holy Ghost is the Third Person of the Blessed Trinity: The Holy Ghost is a Person distinct  from the Father and the Son. He is...

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Carl Solomon on NOT Publishing Jack Kerouac
Apr05

Carl Solomon on NOT Publishing Jack Kerouac

The following is from an interview with Carl Solomon, conducted by John Tytell in 1973. John Tytell’s collected interviews (with Ginsberg, Burroughs, Corso, Solomon, and Holmes) and essays on the Beat Generation will be published by Beatdom Books in 2014. Tytell is also the author of Naked Angels (one of the first books that took the Beats seriously as a literary movement) and Paradise Outlaws. * John Tytell: I understand that...

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Why Can’t They Get It?
Feb23

Why Can’t They Get It?

By Neil Reddy Originally published in Beatdom #14   There are two questions that have to be asked about Beat movies. What do we want and why can’t they get it right? If we’re looking for Beat movies as in expressions of the flow and rhythm of Beat poetry and Jazz Bebop, then you have to go to the source material: Pull My Daisy (1959), or The Flower Thief (1960), or Howl (2010). If you want to get derivative, try any college arts...

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Go… the Summer, Fall, and Winter of Discontent
Feb12

Go… the Summer, Fall, and Winter of Discontent

The summer, the fall, and the winter of discontent, shovel after shovel of snow that turns to filthy slush, as in slush pile (publishers’ slush piles) . . . the discontent of youth, the discontent of marriage, the discontent of writers, the discontent of New Yorkers, and the discontent that turns to temporary joy at the nightclub The Go Hole. “Go! Go!” and “gone.” The discontent of life right from the beginning, as whimsically stated...

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Jack Kerouac’s On the Road Retold by Google Maps
Feb09

Jack Kerouac’s On the Road Retold by Google Maps

There have been more than a few artists from across various media attempt to bring something new to Kerouac’s classic road novel. One element that particularly fascinates is the map . We are forever being shown new interpretations of his journeys, with each artist highlighting some different theme. Gregor Weichbrodt has a very new take – he has attempted to turn Kerouac’s story into a set of directions as told by...

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Marlon Brando Not a Beatnik
Nov22

Marlon Brando Not a Beatnik

  Back in 1959, the year that the Beats moved into the world of film with Pull Your Daisy, and MGM decided that the group made excellent Hollywood fodder, starting with The Beat Generation and moving on with The Subterraneans, Marlon Brando was busy denying any relationship with Kerouac and co. (Click on image for larger view.) The next issue of Beatdom will center around the relationship between the Beats and film, and includes...

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