Pulling Our Daisy: The Illusion of Spontaneity
Apr11

Pulling Our Daisy: The Illusion of Spontaneity

1959 was an important year in Beat Generation history. It was the year that William S. Burroughs published Naked Lunch from Paris’ Beat Hotel, that the Beats were first profiled in Life magazine, and the year the MGM released a sensationalist cinematic nightmare called The Beat Generation. In the previous three years, Allen Ginsberg and Jack Kerouac had shattered the notion that young people must conform to strict social codes, and...

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William S. Burroughs, C. J. Bradbury Robinson, and Williams Mix
Mar17

William S. Burroughs, C. J. Bradbury Robinson, and Williams Mix

Love or hate him, venerate or revile him, the life and work of William Seward Burroughs continues to inspire and intrigue. In addition to “The Work,” since his death in 1997 we have seen further biographies, celebrations, collections of letters, and critical studies, as well as restored and even previously unpublished texts. There has been reassessment and re-examination of various aspects of the life and work, starting with Burroughs...

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Why Can’t They Get It?
Feb23

Why Can’t They Get It?

By Neil Reddy Originally published in Beatdom #14   There are two questions that have to be asked about Beat movies. What do we want and why can’t they get it right? If we’re looking for Beat movies as in expressions of the flow and rhythm of Beat poetry and Jazz Bebop, then you have to go to the source material: Pull My Daisy (1959), or The Flower Thief (1960), or Howl (2010). If you want to get derivative, try any college arts...

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Exiled on Beat Street
Feb17

Exiled on Beat Street

In 1957 Allen Ginsberg and Peter Orlovsky were in the midst of the obscenity trials in the US surrounding the publication of Ginsberg’s poem Howl. After being shunned by the clean-cut conservative American public, (who despised homosexuality and Ginsberg’s outspoken nature in the radicalised work) the pair went left to seek refuge in more liberal and artistic France. Eventually the couple sought exile with fellow Beat poet Gregory...

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Nude Supper
Jul20

Nude Supper

Nude Supper i   Desolation Angels, p.341 [Kerouac about Burroughs] “…rejecting him completely from their interior decorated living rooms in retirement Florida because of the mad book he’s written and published in Paris (Nude Supper) –” Heat wave So hot Summer in the naked city How shall we dine? How shall we sup? Let’s shrimp in the raw Peel the shells Drop in aqua ice Crisp baby artichokes Snip off...

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The Beat Rap Sheet
Dec22

The Beat Rap Sheet

But yet, but yet, woe, woe unto those who think that the Beat Generation means crime, delinquency, immorality, amorality … woe unto those who attack it on the grounds that they simply don’t understand history and the yearning of human souls … woe in fact unto those who those who make evil movies about the Beat Generation where innocent housewives are raped by beatniks! … woe unto those who spit on the Beat...

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Billy Burroughs: Gentleman Farmer
Nov10

Billy Burroughs: Gentleman Farmer

The notion of Burroughs as a farmer – even an inept one – may not sit right with readers of his work, or those familiar with the history of the Beats. Yet before he was William S. Burroughs the writer, he was Billy Burroughs the farmer, and this period in his life – although largely overlooked by biographers – greatly impacted his literary output. When you look closely at his work, the short period he spent as a farmer in the...

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William Blake and the Beat Generation
Oct30

William Blake and the Beat Generation

William Blake’s influence on the Beat Generation is arguably more significant than that of any other writer or artist. Most notably he was Ginsberg’s “guru” and the “catalyst” for his poetry, and even warranted a mention in “Howl”. Blake supposedly appeared to Ginsberg in 1945 and read “Ah Sun-flower”, and again in 1948 when Ginsberg was reading “The Sick Rose”. He explained, I was never able to figure out whether I was having a...

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