What to Expect from Beatdom #12
It’s here, it’s here, it’s finally here!!!!
That’s right, ladies and gentleman. Beatdom #12 – the CRIME issue – is now on sale. You can purchase your copy on Kindle or good old dead tree format, both from your favorite industry-crushing internet monopoly. The Paypal link from Beatdom Books is coming soon…
If you’ve read Beatdom before, then you’ve probably already placed your order for this new installment. You know what to expect, as we always deliver the best of the best of the best. But for those of you out there who have never before set eyes on the beatest literary journal around, let me give you a run-down of what to expect:
Firstly, let’s talk about the interviews. Beatdom editor, Michael Hendrick, has been busy talking with Patti Smith and Amiri Baraka – two of the biggest names in their respective fields. The conversations span politics, pens, and poetry. David S. Wills talked to none other than Joyce Johnson, one of the key influences in bringing to light the women of the Beat Generation. She discusses her new book – The Voice is All.
Then there are the essays. As always, you can count on Beatdom to bring you the finest in literary criticism and history analysis, and this time we have once again triumphed. We start with David S. Wills’ essay, “Beat Rap Sheet,” in which he highlights the criminal records (or unrecorded criminal activities) of the Beat trinity- William S. Burroughs, Jack Kerouac, and Allen Ginsberg. Matthew Levi Stevens takes it from there with a deeper look into the criminality of Burroughs, whose psychologist once referred to as a “gangsterling,” for his juvenile obsession with bad guys. We take a slight detour from the Beat route to look at Raymond Chandler and his portrayal of Los Angeles’ infamously mean streets, before returning to the Beats with essays by Chuck Taylor and Philip Rafferty, who discuss the value of Kerouac’s poetry and the extent to which the Beats were truly Zen, respectively.
Poetry is always a huge draw for our readers, and this time around we’ve packed a lot of quality verse into our little magazine. Our poets for this issue are Jamie McGraw, Catherine Bull, Michael Hendrick, Velourdebeast, Kat Hollister, Holly Guran, MCD, and Alizera Aziz.
We have fiction from Beatdom regular, Zeena Schreck, who has given us her theatre monologue, “Night Shift, Richmond Station,” and also from newcomer, Charles Lowe, with his tale of life in China, “Baby American Dream.” Both continue our exploration of the criminal element.
Jerry Aronson, director of the magnificent documentary, The Life and Times of Allen Ginsberg, is back with a special Beat photo, and Spencer Kansa, author of the first ever Beatdom Books publication, Zoning, recounts a visit he paid to the late Herbert Huncke – the very man who inspired Burroughs and co. to their own criminal exploits in the 1940s.
We also have a review of Ann Charters and Samuel Charters’ book, Brother-Souls, which examines the life of John Clellon Holmes. The review functions also as a biographical essay, detailing some of the more interesting aspects of Holmes’ life.
Finally, we wrap up this outing with yet another piece of artwork from the one and only Waylon Bacon, entitled “Rogues Gallery.”