“I want to be considered a jazz poet . . .” i
Don’t miss Mark Murphy’s 1981 recording “Bop for Kerouac.”ii
Jack loved jazz and wanted to be known as a jazz poet. Highly-acclaimed American jazz vocalist Mark Murphy will take you for a luxurious spin with this beautiful recording, a rich tribute to Kerouac and the music he adored. It’s gorgeous jazz—silky smooth and pure as a pure jazz singer or a pure man jazz poet—and Murphy puts Jack’s writings to splendid use with his eloquent vocals. All you need to do is listen, and he’ll do the rest with his vocalese. If you enjoy good music, and classic Kerouac, you will enjoy this sophisticated recording. As Duke Ellington said, “There are two kinds of music. Good music, and the other kind.”
The record has eight tracks and features Murphy reading from The Subterraneans “ . . . we went to the Red Drum to hear the jazz which that night was Charlie Parker . . . the king and founder of the bop generation . . . ” and On the Road “Dean, ragged in a moth-eaten overcoat he brought specially for the freezing temperatures of the East, walked off alone . . . ,” which are incorporated into tracks three and eight. The track titles might tempt you to indulge: “Be-Bop Lives (Boplicity),” “Goodbye Porkpie Hat,” “Parker’s Mood,” “You Better Go Now,” “You’ve Proven Your Point (Bongo Beep),” “The Bad and the Beautiful,” “Down St. Thomas Way,” and “Ballad of the Sad Young Men.”
Read the linear notes that relate great Beat moments, especially publisher Jay Landesman’s recollection of an encounter Jack had with bandleader Artie Shaw at Birdland while listening to Lester Young. Jack wanted to do his clarinet imitation for Shaw, but Shaw wanted to talk about literature. Did the sad young men have fun? Sure they did.
i Kerouac, Jack. Mexico City Blues. (New York: Grove Press, 1994).
ii Mark Murphy with Richie Cole, “Bop for Kerouac,”1981. CD.
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