‘Demiurgos scowled, and with that Plato awoke.
Or did he?’
The drug experience has often been perceived as a public and social issue. Yet, drug use and experience are unquestionably a matter of personal choice, as indeed are the consequences. Nevertheless, there is a persistent tension between the public and the private surrounding drug use. The criminalisation and condemnation of drug use in the mid-twentieth century developed entirely within the public sphere. The drug user essentially had no voice and their dependence subjected them to a criminality and demonization. Indeed, the reality of drug use was, and remains, often distorted and misrepresented to the public by politicians and policy makers. A particular case in point being the wide-spread, and persistent view that one drug, like marijuana, if it does not in itself destroy the user’s life, will eventually lead to harder drugs like heroin addiction and criminal activity. But while the public had its spokespersons and rhetoric, like Henry Anslinger, the first Commissioner of the Federal Bureau of Narcotics, to denounce them, drug users and addicts were subjected to an imbalanced power dynamic with no one to speak for them. What we find in The Yage Letters of William Burroughs and Alexander Trocchi’s Cain’s Book are efforts to publicly privatise the drug experience. Or to put the matter another way: these works attempt to make the public aware of the user’s private experience. The aesthetic form of these books reflects the public performance of private life. Moreover, what these authors accomplish has unique parallels with Plato’s allegory of the cave in which an anonymous hero reveals ‘truth’ or ‘reality’ to his community. Continue Reading…