Archives For william carlos williams

Mechanics And Poetics: William Carlos Williams and Allen Ginsberg

William Carlos Williams played an important part in making “Howl” a well-known poem, especially in terms of communication. Indeed, William Carlos Williams wrote an introduction for the poem, in which he admitted that Allen Ginsberg “disturbed”[1] him. Allen Ginsberg wrote many times to his relatives and friends how glad he was to have a poet he admired writing him an introduction. But while Ginsberg was thrilled, writing to his brother, Eugene, in 1956 that “W.C.Williams has written another introduction”[2] or to his father that “W.C.Williams read “Howl” and liked it”,[3] Williams himself was more cautious. First of all, this introduction is “strange” because, according to Barry Miles, “it read almost as if he were confusing Allen Ginsberg with someone else”.[4] Moreover, though we learn in a 1952 letter to Jack Kerouac and Neal Cassady that Williams contacted Random House about Ginsberg’s poetry,[5] he wrote about his poems that “the first look is favorable”,[6] which is less expressive than Ginsberg’s point of view. Worse, Williams also appeared to be criticizing “Howl” and Ginsberg’s writing style in an interview of 1960: Continue Reading…

Paterson

by G.K. Stritch – find her on Amazon

 

A criminal — car thief, wife beater, sociopath — told me about the Great Falls in Paterson, New Jersey, when I was seventeen. Probation mandated that the thug enlist in a state-funded rehab program there for a minor drug offense. It seemed odd, a waterfall in the center of an old New Jersey drug-riddled city. I was ignorant of Paterson, but knew Newark and tried imagining Newark with a waterfall. Continue Reading…

First Thought, Best Thought?

A discussion of the importance of editing.

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Peter Orlovsky Obituary

On May 30th, 2010, Peter Orlovsky died at the age of 76. He is best known as the long-time partner (and muse) of Allen Ginsberg, but he was also a great poet in his own right.

Biography

My biography was born July 1933

The first sentence of Orlovsky’s biography in New American Poetry 1945-1960

Born into poverty, Orlovsky dropped out of high school to support his family by working in a mental hospital, and was drafted to fight in the Korean War in 1953 at age 19. After telling his commanding officer that, “An army with guns is an army against love,” he was sent to work at an army hospital in San Francisco.

At 21 Orlovsky met Allen Ginsberg. It’s part of Beat legend that Ginsberg fell in love with a painting of Orlovsky (who was then working as a model) just before meeting the man himself in the San Francisco studio of painter Robert LaVigne in December 1954.

The couple moved into a North Beach apartment together and announced that they were “married.” They spoke openly of their relationship, and were listed as “married” in Ginsberg’s Who’s Who entry in the years following his rise to fame.

They travelled around the world together – spending two years in India, learning about Eastern philosophies. Both men took great interest in Buddhism during their travels.

Peter Orlovsky became an important part of the Beat Generation, although he only began writing poetry at the provocation of Ginsberg while the two were in Paris. He appears in Jack Kerouac’s Book of Dreams and Desolation Angels as Simon Darlovsky, and in The Dharma Bums as George.

Later, he taught at the Jack Kerouac School of Disembodied Poetics at the Naropa Institute in Boulder, Colorado. His course was called, “Poetry for Dumb Students.”

As well as working as a model, teacher and a poet, Orlovsky made several movie appearances. Along with Ginsberg, Kerouac and Gregory Corso, he appeared in Couch (1964), which was directed by Andy Warhol. Me and My Brother (1969), directed by Robert Frank, concerned Orlovsky’s relationship with his brother Julius, who was schizophrenic. He appeared (uncredited) in Bob Dylan’s 1979 Renaldo and Clara. In 1990 he appeared in Frank’s C’est Vrai.

Although their relationship was not always monogamous (with Orlovsky displaying heterosexual leanings) they were inseparable at times, and stayed together on-and-off until Ginsberg’s death in 1997.

Poetry

Orlovsky’s poetry became known for its simple, earthy honesty. He spoke freely (and often enthusiastically) about bodily functions and most famously about assholes. He couldn’t spell, but through his misspellings and the unusual phrasings of his work comes a refreshing freedom and originality.

His “Frist Poem” was published in 1958 by Yugen literary journal. It begins:

A rainbow comes pouring into my window, I am electrified

Songs burst from my breast, all my crying stops, mistory fills the air

Of his poetry, William Carlos Williams once exclaimed: “Nothing English about it – pure American.” That was something Williams hoped poetry would become – a natural, organic voice, free of rules and traditions. Orlovsky’s poetry celebrates that which is distinctly natural and does not attempt to grasp grandiose philosophies.

As Gregory Corso put it,

An agricultural romantic, the Shellean farmer astride his Pegasusian tractor re-poems the earth with trees of berry and roots of honey; whose dirtian hands scribe verses of soy, odes of harvest; whose hymns to redolent shovels of manure nourish the fields that so nourish us, both in body meal and the cosmetics of soul.

Perhaps he was best described by the poet Michael Horovitz (with whom he read on his trips to the United Kingdom) as “refreshingly unliterary.”

Bibliography:

Dear Allen: Ship Will Land Jan 23, 58 (1971)

Lepers Cry (1972),

Clean Asshole Poems & Smiling Vegetable Songs (1978)

Straight Hearts’ Delight Love Poems and Selected Letters, 1947-1980, co-authored with Ginsberg (1980)

Know Your Beats

A very brief guide to the players of the Beat Generation.

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