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The Flying Dutchman:

An Overview of LeRoi Jones’ Greatest Commentary on the Struggle of the Black Man and Racial Relations in Post-World War America

Before Amiri Baraka changed his name, he was LeRoi Jones: poet, playwright, and husband to Hettie Cohen, a white Jewish woman. Together LeRoi and Hettie edited the avant-garde literary magazine Yugen, which later published such literary icons as the Beat Generation’s Allen Ginsberg and Jack Kerouac. The couple’s relationship strained as Jones fell in with the ideology of Malcolm X, breaking away from the Beat Generation and into movements such as Black Nationalism and the Black Arts Movement. Baraka’s play Dutchman, written as LeRoi Jones, opened at Cherry Lane Theatre in New York City on March 24, 1964 to intriguing acclaim for an off-Broadway production. This initial production sparked the beginning of Baraka’s revolutionary immersion into Black Nationalism, political theatre, and the eventual name change from LeRoi Jones to Amiri Baraka. Dutchman examines race relations in post-World War America and also commentates on the relationship between white women and black men and the implicit stereotypes presented. Amiri Baraka’s Dutchman presents the suffering of the Black man in America in order to emphasize an illicit political agenda that caters to Black Nationalism. Continue Reading…