Archives For the floating bear

War Upon War: The Second-Generation Beats and Postmemory

This essay originally appeared in Beatdom #15: the WAR issue.




Most of the writers and artists to whom the label “Beat” was applied did not directly experience the horrors of war. Certainly, some of the older Beats of the original Columbia University circle had been in the firing line: Jack Kerouac, for one, shipped out in the merchant marines in the minefield of the Atlantic, and then joined the Navy before quickly being discharged after a diagnosis of a “schizoid personality with angel tendencies.” But the younger Beats, the so-called “second-generation,” which encompasses most of the recognized female writers, including Diane di Prima and Joyce Johnson, were at the same geographic dissociation as most other young people in the USA. However, war’s effects were experienced belatedly through the lasting trauma of family members, many of whom were of immigrant families with links to Europe, either active or hazily distant in the past as they strove for assimilation into American life. Continue Reading…

Somebody Blew Up America: A Conversation with Amiri Baraka

This interview originally appeared in Beatdom #12 – the CRIME issue. You can purchase it on Amazon and Kindle.


Amiri Baraka is Beat.

He walked away from the scene in Greenwich Village, where he edited literary journals Yugen, Kulchur, and The Floating Bear from 1958-65. Working with Hettie Cohen, Michael John Fles, and Diane Di Prima, respectively, the journals brought new works by new names. Featured writers included Jack Kerouac, William S. Burroughs, Gregory Corso, Allen Ginsberg, Phillip Whalen, and Michael McClure. He co-founded Totem Press and was influential in the launching of Corinth Books. Yugen magazine was perhaps most significant as the platform for the “new” Beat writers, allowing their work to find a place in one of the first venues to give credulity to the movement. Continue Reading…