It is time to choose the topic for the next issue of Beatdom, and in keeping with the way we’ve made this decision in previous years, we’re going to ask our readers for ideas. Please respond in the comment section below, on our Facebook page, on Twitter, or in the Goodreads discussion group. Or, if you prefer to do it privately, you can e-mail the editor. Continue Reading…
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It was about eight years ago that I founded Beatdom magazine. I don’t remember the exact date and I didn’t keep a journal back then, but a while ago I was able to trace the date down to about mid-to-late-May of 2007, and so every year at this time we celebrate our birthday.
Back then I was just about to graduate from university and I realized that the job market was pretty dire for people with an MA in Literature and no other real life experience. I started the literary journal as a way of cheating the system… It was, you could say, an odd choice. A more experienced person might have observed that literary journals seldom make the sort of money one could live on. Continue Reading…
So Beatdom #14 (the movie issue) is now on sale. All your friends are talking about it. You’re seething with a jealous rage. You can’t check your Facebook, Twitter, or Tumblr because of all the talk about the sexy new issue of Beatdom….
Well, that means it’s about high time you took the leap and got yourself a copy of the world’s favorite Beat literary journal. Here’s how:
#1 – Buy it on Amazon. This is the link for a paper copy. Don’t forget to leave a review. It’s not easy to get your publication noticed as a small press, and reviews really make a difference.
#2 – Buy it for your Kindle. There’s no getting away from it – the paper copy looks better, but can you beat instant delivery for only $0.99? Also, Kindle saves trees.
#3 – Why not get both? If you buy the paper copy via Amazon, you are allowed to download the Kindle version for free! Now that’s a sweet deal, right?
#4 – Send $12 plus shipping ($2 us; $6 international) to davidwills258 [AT] hotmail [DOT] com or wills.david [AT] gmail [DOT] com via PayPal. Please remember to add your address so that we know where to ship the magazine. If you have any questions about your PayPal order, please e-mail editor [AT] beatdom [DOT] com.
When we interviewed Ann Charters in our current issue, Beatdom Eleven, she brought up the relationship between Jack Kerouac and John Clellon Holmes and the importance of Holmes in the evolution of the seminal style, syntax and spirit of Beat Literature, as demonstrated by Kerouac’s daily digestion of each page as Holmes’ novel, Go.
Here is a slice of that interview…
Ann Charters – “I can understand (Alene) Lee’s anger at Kerouac after he appropriated her story in The Subterraneans (though at the request of Grove Press she signed a paper giving her consent). What he did to his friend John Clellon Holmes in that autobiographical novel was much worse: Kerouac portrayed Holmes as such a wimpy rival that the literary portrait trapped him for eternity as “the quiet Beat” just as a fly is trapped in amber. Sam and I tried to redress that wrong in our recent biography Brother-Souls: John Clellon Holmes, Jack Kerouac, and the Beat Generation. It was a difficult book to write, but one of its pleasures was the opportunity to give Holmes back his voice as a writer who was an enormous influence on Kerouac during the years 1948 to 1951, especially in Jack’s creation of the “scroll” version of On the Road.
I don’t think I should have written more about Alene Lee in my early biography (Kerouac, 1973), because she didn’t play a major role in Jack’s life. Much later when I found out from the English Beat scholar Oliver Harris that she had typed the manuscript of Burroughs and Ginsberg’s The Yage Letters, I included that information in Brother-Souls to give her credit.
But I wish I had known more about Holmes’ long friendship with Kerouac when I wrote the
biography, because Holmes was a major influence and he deserves much more credit for his role as a Beat novelist, poet, and historian. Certainly Holmes’ memoir Nothing More to Declare and his novel Go are major achievements in the Beat literary canon. Jack read every chapter of Go as it left John’s typewriter, and it helped break the emotional log-jam that prevented him from writing about his road trips with Neal Cassady.”
This caught our interest so we were very pleased at the arrival of Brother-Souls in the old Beat Mailbox. A full review of this terrific work will appear in the next issue of Beatdom…Issue Twelve, The Crime Issue.The thing is – the book is much more that what we expected, so we are reading slowly and savoring. Instead of a basic nuts-and-bolts account of the facts, this is a volume that reads with the excitement of any of the best Beat novels. Though more factually forward and to the point than the diamond-hard poetic styles of description which infused On The Road, Go, The Dharma Bums, etc., we still get the adventures, the substance of an era frozen in time, and all the usual suspects – and then some!
Before we even arrived at chapter one, the three page prologue dazzled us with an array of “Who’s Who In Hip”…we come across the names of the Velvet Underground, The Fugs, Bob Dylan, Allen Ginsberg, Ed Saunders, Diane di Prima, Andy Warhol, Charles Olson, Peter Orlovski, Anne Waldman, Timothy Leary…even W.H. Auden walks through to buy a newspaper…Will they all show up eventually? Perhaps not all of them but it certainly grabbed our interest immediately.
By force of habit, we opened the book to a random page to see what we found and, there on page 179, we have Neal Cassady sending Holmes, in the words of the former, “Wooooooooooooooooooooooooooooooooooooooooo-EEEE! A real whiz of a letter” in his typical ebullience! What more can you look for in a quick introduction to the text?
If you are reading this post you are probably on this site for a reason – to learn about, celebrate or simply enjoy that which is Beat Culture and Literature. To that end, we suggest you go out to a store, click on Amazon.com, break out the Kindle – however you prefer to do it – get yourself a copy of Brother-Souls and read it. When we went to our local library to see if we could get a copy, we couldn’t. Utilizing the inter-library loan service, we were shocked to find that not a single public library in the State of Pennsylvania had a copy.
That is just pathetic.
So, if you are used to getting reading materials and books at the local branch and they do not have it, or are not aware of it here is all the information they need to order a copy…
Give them the information and don’t cut them any slack if they argue!
Brother-Souls: John Clellon Holmes, Jack Kerouac, and the Beat Generation
By Ann Charters and Samuel Charters
University Press of Mississippi
ISBN 978-1-60473-579-6, hardback, $35
Email – www.upress.state.ms.us/book/1303
If they can afford multiple copies of that Fifty Shades of Grey trilogy, let them know they can get something besides that sort of drivel for your tax dollar. This is literary history and it belongs in any and every self-respecting library!
Before Issue Twelve appears with the full review, we will post a short version of Brother-Souls on this site. We would love to open up a discussion and have you send us your comments. If you already read it, please post a comment and start a forum here. For the fun of it, please include the city and country you are writing from.
If you have to give the clerk at Barnes and Noble a hard time to get your copy, tell us about that, too! Let’s all read a great book together and have some fun doing it. If you like, we can have discussions on other books in the future.
What do you say?
Be there or be square!!!
We certainly hope that you like to look at pictures – because this is about as many as we think we can squeeze into a single post. ***in June, 2016, all photos were wiped from our website
The idea is to show that, while the ebook and kindle formats are handy, Beatdom is still fun to have your own personal copy of, like in the old days of the literary journal, when you stuck it in your pocket or bag and pulled it out to read while on the bus, at the doctor’s office or in a crowded movie theater while some delinquent threw JuJubes in your hair.
While we all know you can’t judge a book by it’s cover, anybody who is familiar with French poet Arthur Rimbaud and the poem, ‘After The Deluge,’ from his earth-shattering collection ‘Illuminations,’ will spot him right away, That is thanks to the keen handiwork of multi-faceted artist Waylon Bacon, who graced the front cover of this issue with his brilliant dexterity and use of color.
It is a treat to get to see him do something for us in deep rich tones, since he has had to restrain himself to using black and white ever since we changed the format to that of the classic, standard old-style 6×9-inch black and white format, used by most literary journals.
In the following story by Katy Gurin, ‘Grizzly Bear,’ you can see more of Waylon’s work, only in the b/w format. This is still another excellent short story by Katy, about what can happen when people commune a little too closely with nature. This tale showcases her usual splendid imagination and wonderful gift for detail. Stuck in between there, shown on the back cover, since most people look at the front and back before opening it, is the advertisement for the next fiction release from Beatdom Books, ‘Egypt Cemetery,’ a memoir by Editor Michael Hendrick, which will be available soon at the usual outlets.
It is also worth noting that Katy will be publishing a full volume of her short stories with Beatdom Books, later this year. That volume will be illustrated by Waylon, since the two of them make such a great team for two people who have never even met each other. As Katy’s story continues the partygoers dressed as bears start to act more like bears just for the drunken fun of it.
Waylon not only provided the fine images you see here – but also managed to include some of his favorite monsters, like Frankenstein’s monster, his Bride, the Hunchback of Notre Dame, the Phantom of the Opera, and some weird looking what-cha-ma-callits, that only he sees when he closes his eyes at night.
Bears like to catch fish but fishtank owners are not always appreciative. As you can see, our half-drunk pseudo-bears wander out into the Halloween night and do all the things bears are wont to do, until they are confronted by a real bear. How Katy thinks this stuff up is a mystery to us but we have been lucky enough to have her writing such inventive stories with truly absorbing plots since she was kind enough to provide us with her very first and fabulous yarn, ‘Meat From Craigslist,’ back in Issue Number Nine.
Next we have a look at the life of William S. Burroughs during his days as a farmer, written by Editor David S. Wills. Burroughs didn’t do so well working the land but Mr. Wills has been farming up quite a bit of information on the pistol-happy author while lurking about the Burroughs Archives at the New York City Public Library lately. Watch for more!
Somehow, archaeologist, activist and Beatdom regular Robin Como managed to find time to write two more of her intoxicatingly exquisite poems for your pleasure and if she doesn’t run away, we hope to have her back with more in our next issue!
Michael Hendrick tracked down Shelton Hank Williams, aka Hank Williams III, aka Hank3, on Thanksgiving Day morning last year, forcing him to hold a copy of Beatdom Issue Nine and interviewing him on topics ranging from going to Hell, to how his grandfather wrote one of the first recorded rock songs before rock’n’roll was invented, to the Right to Bear Arms.
Taking time out from his extensive studies, returning writer Rory Feehan penned this account of still another famous sharp-shooter, Hunter S. Thompson and his ventures and misadventures while living a not so quiet existence at perhaps California’s favorite Beat retreat, Big Sur.
While everybody was awaiting the release of the film version of Jack Kerouac’s ‘On The Road,’ Mr. Wills tracked down the last remaining live male character depicted in the movie, Al Hinkle, who Kerouac called Ed Dunkel in the book. Mr. Hinkle is delighted to appear here.
Assistant Editor Kat Hollister, who labored intensively to help put this issue together marked her first appearance in Beatdom with the poem you see below; her efforts were rewarded by the dubious distinction of having it placed across from a poem by returning Beat literate Chuck Taylor, on the dodgy subject of his erection. Mr. Taylor dug up the old form of ‘doggerel’ to justify it, along with the fact that we are the only journal who would risk publishing it.
Where have you seen this face before? On the cover, it’s Arthur Rimbaud again, next to an essay by poet Larry Beckett, who takes apart the aforementioned poem, ‘After The Deluge.’ It is an insightful look at one of Rimbaud’s best know works, and also gives us a glimpse at the fantastic style of literary critique to be found in Mr. Beckett’s upcoming offering from Beatdom Books, ‘Beat Poetry.’
Matthew Levi Stevens is a new name to Beatdom readers and here he presents us with a review of the latest collection of letters written by William S. Burroughs when he was still living as an expatriate.
Kat Hollister, following the indignity of having her poem placed facing Mr. Taylor’s doggerel, was happy to find a spot next to this wonderful photograph, ‘wetlands in march no.2,’ by well-known nature photographer, g. thompson higgins.
Artist/Photographer/Musician and Writer, Zeena Schreck returned again this issue, with this touching and enlightening article. She writes of how she and multi-talented husband, Nikolas Schreck, stepped up and acted to save the lives of eighty wolves, diverting their carriage to safe habitat as they were being sent to an otherwise slow and cruel death.
Ann Charters, a name familiar to everybody in the world of Beat Literature and Literary History spoke with Mr. Hendrick, on working with Kerouac, the beginnings of Beat, her meeting with Alene Lee and the importance of John Clellon Holmes to the Beat Generation.
Internationally renowned poet Michael Shorb, a strong voice on environmental issues, was kind enough to grace our pages with this, his first appearance in Beatdom.
Reaching past Rimbaud to William Blake, Mr. Wills weighs in with a quick word on the literary influence of one of the most visionary of voices and his influence on the Beats.
When we think of Beat we think of the road and it is hard to think of a band who pounded the pavement harder than the Ramones. Richie Ramone, the fastest of the fast, spoke with Mr. Hendrick about life on the road, his forays into the Big Band sounds of the Drum Gods and his activism on behalf of pooches in peril in Los Angeles.
As usual, Waylon won’t go back into his cage until he gets one last bite on the hand the doesn’t feed him, so we leave you with him and his now traditional ‘last page, last word.’ This one, Waylon aptly titled ‘Sometimes Eye Gets Crazy!’
On May 15, 1891, Mikhail Bulgakov was born.
Today, also May 15, Patti Smith was kind enough to talk to Beatdom about writing, her favorite Apostles, Allen Ginsberg, Gregory Corso, William S. Burroughs, and Herbert Huncke, among other things. You will have to wait until Beatdom Issue 12 comes out to read the full interview, but since today is Bulgakov’s birthday, and Patti likes to keep track of such things, we thought we would share the birthday salute, along with these words from one of the greatest singer-songwriters living today. On June 5, she will release her first collection of new material since Trampin’ in 2004, and Bulgakov, and a favorite canine character of his, figure prominently in the work.
Here is what Patti had to tell us about Mikhail Bulgakov and the connection to her new CD/album/LP/digital download, or whatever you prefer to call it…it is her new music.
“Bulgakov is one of the great Russian novelists and playwrights who was suppressed by Stalin and, very simply, he wrote one of the masterpieces of the Twentieth Century, The Master and Margarita. I am not really ready to give a lecture on political culture today but I do like to wish him a Happy Birthday. I think the best way to know Bulgakov is to read him.
“The album title (Banga) came from the dog in The Master and Margarita. It was Pontius Pilate’s dog and his dog’s name was ‘Banga.’ The reason I wrote a song for Banga, for those who have not read the book, Pontius Pilate waited on the edge of Heaven for 2000 years to talk to Jesus Christ and his dog, Banga, stayed faithfully by his side and I thought that any dog that would wait 2000 years for his master deserves a song. Its really a song for my band and for the people. It’s a high-spirited song, dedicated to love and loyalty.”
High-spirited, dedicated to love and loyalty…sounds like familiar territory for Patti. As usual, we hear Lenny Kaye’s great guitar playing, Tony Shanahan working the grace out of the keyboards and bass, and the rock-steady beat of Jay Dee Daugherty. There is love and loyalty for you – Kaye has been with Patti since 1974, Daugherty since 1975, and Shanahan since 1988. New to the mix are Patti’s son Jackson Smith on guitar, and Jack Petruzzelli, a new face in the Patti Smith Group since 2007, on guitar and bass. Old friend Tom Verlaine makes an appearance, as does Patti’s daughter Jesse Paris.
There is a sense of continuity to this LP, more than with many past offerings. The sound is fantastic but is undoubtedly better live and loud. The subject matter starts with Amerigo Vespucci and Christopher Columbus makes an appearance near the end. Mixed in are songs dedicated to Johnny Depp, the survivors of last year’s Japanese nuclear disaster, Amy Winehouse, Nikolai Gogol and, of course, Bulgakov. Plus there is a lot more, but we have only had three days to listen, and, as usual, it is lyrically dense.
It is noteworthy to mention that Mick Jagger, one of her early role models and heroes, wrote the Rolling Stones song, Sympathy For The Devil, after reading the same book. It seems like the best way to enjoy Banga is to order the deluxe edition (featuring the excellent bonus track, Just Kids, which is a classic that seems perfect for a loud performance), along with her most-recently released book, Woolgathering, and order yourself a copy of Bulgakov’s The Master and Margarita. You can pre-order today, while it is still Mikhail’s birthday!
We hope you enjoy all three but especially some long-awaited new music from Patti, one of the most talented living performers. For more information on how to pre-order Banga, please visit www.pattismith.net.
The next issue of Beatdom is nature-themed. Here’s the cover, featuring Arthur Rimbaud:
Art by Waylon Bacon. Beatdom Editor Michael Hendrick conceived the cover based on Rimbaud’s poem, After the Deluge, and Waylon brought it to life, sort of. Inside Issue 11, Larry Beckett, song-writer and author of Beatdom Books’ soon-to-be-released volume, Beat Poetry, looks at the poem in a new essay. Rimbaud has influenced everybody from Dylan Thomas to Bob Dylan and, who knows, maybe something may rub off on you! Pre-order a copy or pick it up when it comes out in about a week or two. The printer liked it so much that they shut down shop just to read it, so we are waiting to get a copy for ourselves!!!
As we move towards our 5th anniversary (that’s in May, folks, get ready to celebrate!) Beatdom is putting together its eleventh issue. The theme of this upcoming issue is Nature. That’s right, another fairly obvious topic, following on from Drugs and Religion. Granted, this one is a bit less controversial, but it is nonetheless a topic on which we could take any number of approaches.
As usual, we are primarily seeking essays. The rule of thumb in regards Beatdom submissions is this: Essays get read first. That doesn’t mean we don’t care about poems and stories; but essays take up the bulk of the magazine. We appreciate each and every submission, but we have to prioritize.
So, we imagine you probably have your own ideas for what to write about, but if not, here are some starters:
- Kerouac’s time in the wilderness
- Gary Snyder
- The Beats as an urban movement?
- Ginsberg and Burroughs’ trips into the jungle
- The influence of nature upon Beat poetics
- Environmentalism in literature
And of course there are many, many more. Please let us know asap what you are planning to submit in order to avoid having all our writers covering the same topic.
If you are planning to submit poetry, fiction, or art, please don’t feel left out. Your submissions are welcome. Be warned, though: the “slush pile” of poetry submissions is massive. We can’t guarantee a reply to these submissions unless we plan on using your poem in the magazine. All submissions, whether fiction, non-fiction, poetry, or otherwise, should ideally concern the topic of Nature.
For all submissions, please be professional. Include a cover letter with some short biographical details, a little about what you are submitting and why, and your submission as an attachment. If you send a blank e-mail with an attachment, or something like “heres what i just rote dude im sure u dig it”, then your submission will not be read. If your submission is comprised mostly of typos, it will also probably go unanswered.
Sorry to throw down so many rules, but as Beatdom grows, so does the number of submissions received, and the task of editing the magazine grows ever more difficult. Rest assured, we do appreciate everyone who shows interest in the magazine.
All submissions to the usual address: editor [at] beatdom [dot] com. Deadline: April 1st (no foolin’).
It seems that one of the hottest Christmas presents this year was a shiny Kindle gift card. It’s really a great idea. There are a ton of wonderful publications on Kindle these days and they can be downloaded in a matter of seconds. But the problem is – as always – what to buy, of the many, many titles out there.
Well, call us biased, but we think that Beatdom Books has some great options. Of course, there are issues of Beatdom magazine – well, only issues nine and ten. These contain some brilliant essays, short stories, and poems, so there’s a little something for everyone. What’s more, they’re dirt cheap! A copy of Beatdom on your Kindle will set you back around a dollar.
If you’re looking for a novel to curl up with over the coming cold months, think about David S. Wills’ The Dog Farm, a rum-soaked romp from the “wrong side of the world”. It’s the second biggest story from the Korean peninsula in 2010, beaten only to the punch by the death of a tyrant.
For a shorter, weirder read, take a look at Spencer Kansa’s debut novel, Zoning. A tale of magic and madness from a warped world, this wild ride will keep you glued to your Kindle all night. Beat fans will probably know Kansa from his interviews with legendary Beat figures, including his friend, William S. Burroughs.