Archives For allen ginsberg

A psychoanalytic perspective on Allen Ginsberg’s Kaddish (1961)

 

Strange now to think of you, gone without corsets & eyes, 

      While I walk on the sunny pavement of Greenwich 

      Village.

downtown Manhattan, clear winter noon, and I’ve been up

     all night, talking, talking, reading the Kaddish aloud

     listening to Ray Charles blues shout blind on the phono-

     graph

the rhythm the rhythm – and your memory in my head three 

     years after – And read Adonais’ last triumphant stanzas 

     aloud – wept, realizing how we suffer – Continue Reading…

Rain Taxi Reviews The Poetry and Politics of Allen Ginsberg

There is a review of Eliot Katz’s new book, The Poetry and Politics of Allen Ginsberg, in the latest issue of Rain Taxi.

”Katz’s analysis is readable and enjoyable while offering a scholarly view of Ginsberg’s most influential poems, including “Howl,” which appropriately gets a full chapter here. Katz is able to explicate the originality with which Ginsberg converted his political views into poetry, making them resonate powerfully to his audiences.

Previous biographies and books about Ginsberg’s life and work have appeared, but The Poetry and Politics of Allen Ginsberg is the first that explicitly analyzes Ginsberg’s political poetry and dissects his progressive influence on our culture. Katz’s book is a lively read regarding the poet of poets who shaped the political views of a generation.”

Rain Taxi Review of Books Continue Reading…

Beat & Beyond Festival

If you’re anywhere near New York next weekend, you should be thinking about going to the Beat & Beyond Festival. From Friday, June 3rd to Wednesday 6th the Howl! Happening Gallery is hosting a “Six-Day Celebration Honoring the Poets, Musicians, Bookstores, and Significant Individuals Whose Voices and Energy Transformed America Forever.” The line-up for this series of events is an impressive who’s who of Beat knowledge, including two Beatdom Books authors – Eliot Katz and John Tytell. Continue Reading…

The Joan Anderson Letter Goes to Auction

Almost two years ago the world of Beat studies was rocked by the discovery of a seemingly lost piece of history: the fabled Joan Anderson Letter. Written by Neal Cassady and sent to Jack Kerouac, the letter played a pivotal role in American literary history, only to supposedly be lost overboard into the cold Pacific Ocean. Continue Reading…

Beatdom #17 Now on Sale

We are delighted to announce the release of Beatdom #17 – the POLITICS issue. This latest issue marks the ninth anniversary of the founding of Beatdom Literary Journal – a great milestone for a small publication. This time we’re bringing you essays related to the topic of politics and literature, with a focus on Beat writers who are less frequently featured in the pages of Beatdom.  Continue Reading…

The Complicated Politics of the Beat Triumvirate

There is much about the Beat Generation that is shrouded in confusion. Oftentimes it stems from wishful thinking on the part of Beat scholars and readers, and sometimes it emerges from the haze between the myths the Beats themselves created and their own reality. Partly, though, the confusion arises from the simple fact that the politics of the three best-known Beat Generation authors was in fact rather complicated, and no amount of simplification can detract from that fact. Allen Ginsberg was the face of the left for much of the late twentieth century, but was he was also critical of much of the left. Jack Kerouac was the hero of the left in the sixties, yet his personal politics then veered hard right. And William S. Burroughs… Well, his ideas concerning politics involve space travel, engrams, and word viruses. Continue Reading…

Review: Ambiguous Borderlands

In his new book, Ambiguous Borderlands: Shadow Imagery in Cold War American Culture, Dr. Erik Mortenson looks at the “paradox” of mid-twentieth century life in the United States, where there were unprecedented levels of comfort for many citizens, and yet the impending threat of nuclear holocaust. While people became wealthier than ever before, there came also a crushing pressure to conform or fit in with mainstream society. Mortenson argues, Continue Reading…

East Coast Beats vs. West Coast Beats

The Beats as we know them are a New York City phenomena and walk hand in hand with Abstract Expressionism as one of the great defining moments of art in the second half of the 20th century. Just like Jackson Pollock and William DeKooning were all about reinterpreting what painting meant, so the Beats were trying to redefine linguistics in a way that made poetry and prose contemporary, or at least brought it up to date from the days of the Lost Generation, who expatriated to Paris after World War I.  The Beats were the fallout of the existential crisis brought on by the nuclear bomb, and a seminal Beat poem by Gregory Corso called “Bomb” appeared on the page in the form of a mushroom cloud. The Beats were interested in writing from their wits and believed the concept of “first thought was the best thought,” even though they may not have lived by this credo it was a defining trait of their aesthetic stance. It was similar to an Abstract Expressionist looking for a perfect stroke on the canvas that somehow said everything about an internally troubled excited knowable state, even if he/she worked on the painting for weeks, months, or years. The goal of both movements, along with Be-Bop, was to express a moment of feeling without being restricted in time, even if this took years of practice. It might seem a quaint idea from a 2015 perspective but art was very tied to rules when the Beats wrote to the rhythm of their breath, or to the sounds of Charlie Parker’s alto sax, and it was a revolutionary act that scared a lot of critics and aesthetes into thinking the Beats were turning back the clock on poetry and were like modern day Neanderthals rather than the greatest minds of their generation. Yet that’s an image they would’ve been proud of in their inner circle, just like the Abstract Expressionists wanted to get back to primal thinking. The Beats were audacious but demanded to be taken seriously, which is probably why they earned the moniker of angry young men.

Continue Reading…

Reconsidering Jack Kerouac a Half-Century Later

Not many prose writers alive (Céline, Genet, a few others) would dare the freedom and intelligence to trust their own minds, remember they made that jump, not censor it but  write it down and discover its beauty. That’s what I look for in K’s prose. He’s gone very far out in discovering (or remembering, or transcribing) the perfect patterns that his own mind makes, and trusting them, and seeing their importance – to rhythm, to imagery, to the very structure of the “novel.”

– Allen Ginsberg, Village Voice (1958) Continue Reading…

The Poetry and Politics of Allen Ginsberg

To celebrate the sixtieth anniversary of the Six Gallery reading – at which Allen Ginsberg first read from his poem, “Howl” – Beatdom Books is delighted to announce the latest in its series of Beat Generation studies, The Poetry and Politics of Allen Ginsberg, by Eliot Katz. Continue Reading…