“They are hip without being slick, they are intelligent without being corny, they are intellectual as hell and know all about Pound without being pretentious or talking too much about it, they are very quiet, they are very Christlike.” The Subterraneans
The great Basie band. . .
one, two, and you know what to do
Thank Chu Berry much
Sassy classy Vaughn
Gerry Mulligan hobo stew
Stan Kenton rues the roux
This jazz is for you, Mardou
red toenails peek from Cleopatra sandals
other gals pale by this woeful tale
Heavenly Lane fast pushcart Trane
Bird as word
. . . it IS the nightingale
and not the lark . . .
measure for measure
Paradise Alley gray sheet feathers
like the lost alleys of Russian sorrow . . . i
Are the stars out tonight or morrow?
Allen Eager Po’ boy blues
cracked weeping shoes
Thelonious the monk and saint of bop ii
Spin the records and the top
“You go out in joy and in sadness you return,” says Thomas à Kempis. iii
i Kerouac, Jack, Big Sur, 1962.
ii Kerouac, Jack, The Subterraneans, 1958.
iii Kerouac, Jack, Big Sur, 1962.
An interview with Ken Babbs.
An interview with Ken Kesey's son.
History has not been kind to the women of the Beat Generation. Their presence is largely u...
In Paris in the late Fifties the Beat Generation writer William Burroughs developed the ...
From Beatdom #14 Until really quite recently, of the “big names” that one thinks of ...
The writers of the Beat Generation were not just great at composing poems or producing gen...