Setting Kerouac to Music: An Interview with Kubilay Uner
Jul29

Setting Kerouac to Music: An Interview with Kubilay Uner

This article originally appeared in Beatdom #14 – the MOVIE issue.     Kubilay Uner is the composer for the 2013 movie, Big Sur, based on the Jack Kerouac novel of the same name. He has worked with Michael and Mark Polish – the brothers behind the movie – on various projects, as well as performing live scores in concert halls. I spoke to him about setting Kerouac to music for the big screen.   *   Has Kerouac been...

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Burroughs: The Movie Interview
Jul02

Burroughs: The Movie Interview

Film director Aaron Brookner discusses the restoration of classic documentary Burroughs: The Movie, made by his late uncle, Howard Brookner. The project coincides with the William S. Burroughs Centennial in 2014. Interview by Tom Cottey. Originally published in Beatdom #14 – the MOVIE issue. Buy it here:     What is your personal connection to Burroughs: The Movie?   I grew up seeing the Burroughs: The Movie...

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Interview with Tom Huckabee: Taking Tiger Mountain
May03

Interview with Tom Huckabee: Taking Tiger Mountain

By Adrien Clerc   The story of the making of Taking Tiger Mountain is one of the strangest a movie-goer could possibly hear. It all started in the mid-seventies, when two friends, Kent Smith (director) and Bill Paxton (not-famous-yet actor) decided to make a film together, loosely based on the kidnapping of J. Paul Getty. They shot enough silent, black and white images in Tangier and Wales to make a full-length film, but hit a...

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The Voice is All: Joyce Johnson Talks about Her Latest Book
Mar15

The Voice is All: Joyce Johnson Talks about Her Latest Book

Joyce Johnson’s role in Beat history is too often viewed simply as that of Jack Kerouac’s girlfriend. There is surprise when one first learns that she was a novelist in her own right and at the disdain for her position as a scholar of the Beat Generation. She is derided as “milking” her brief relationship with Kerouac. The irony is that her book, Minor Characters, brought to light some of the experiences of the women of the Beat...

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Somebody Blew Up America: A Conversation with Amiri Baraka
Feb12

Somebody Blew Up America: A Conversation with Amiri Baraka

This interview originally appeared in Beatdom #12 – the CRIME issue. You can purchase it on Amazon and Kindle.   Amiri Baraka is Beat. He walked away from the scene in Greenwich Village, where he edited literary journals Yugen, Kulchur, and The Floating Bear from 1958-65. Working with Hettie Cohen, Michael John Fles, and Diane Di Prima, respectively, the journals brought new works by new names. Featured writers included...

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Dick in Dixie: Hank Williams III
Nov14

Dick in Dixie: Hank Williams III

interview by Michael Hendrick   They say that I’m ill-mannered, that I’m gonna self-destruct, But if you know what I’m thinkin’ you’ll know that pop country really sucks. Well, we’re losing all the outlaws that had to stand their ground and they’re being replaced by these kids from a manufactured town And they don’t have no idea about sorrow and woe ‘Cause they’re all...

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Noise Poetry: An Interview with Thurston Moore
Oct10

Noise Poetry: An Interview with Thurston Moore

As an MFA fiction student at the Jack Kerouac School of Disembodied Poetics at Naropa University (one of the longest, most consistently-made-fun-of school names ever), I was fortunate enough to be brought face-to-face with some of the most legendary members of the American cultural underground of the past 50 years. Since the Kerouac School was founded by Allen Ginsberg and Anne Waldman in 1974, we have operated in a lineage outside...

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The Last Man Standing: Al Hinkle
Oct07

The Last Man Standing: Al Hinkle

The name Al Hinkle should be familiar to most readers of Beatdom, and if it isn’t then they’ll most likely know him by one of the names Jack Kerouac gave him in his novels: Big Ed Dunkel, Slim Buckle, or Ed Buckle. Hinkle and his wife, Helen were good friends of Kerouac, Allen Ginsberg, and Neal Cassady, and feature frequently as characters in a number of Beat Generation texts, including many of Kerouac’s, and also John Clellon...

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