Archives For 2011

What Is There To See Inside Beatdom 10 ~ The Religion Issue?

Greetings, Dear Readers!

We know you have been waiting for the new issue of Beatdom to come out. Well,  it is here and it is available and a lot of you have ordered your copy already at the crazy low cost of only $9.99 . Here are a few photos of the innards of this portable literary salon!

You will first notice the excellent cover art (above), which is a likeness of Krishna painted by Ed Terrell of the A.C.O.R. Gallery in Reading, PA. It is part of his series of portraits on Indian deities.

Hinduism: A Different Beat by Ravi and Geetanjali Joshi Mishra

Here we have a very interesting essay to go with that wonderful cover. Ravi and Geetanjali Joshi Mishra tell us about Hinduism and how the roots of the Beat movement actually spring from Hindu texts…which trickled down and eventually became the basis for Buddhism. The Mishras explain and show us why particular trappings of traditional Hinduism, such as same-sex relationships and the smoking of ganja to honour the Divine Entities, would appeal to our Beloved Beats.

A Short History Of Buddhism In Berlin by Zeena Schreck

Then, while you still have your Buddha on, check out what dharma has to do with the death of a fly in a new story by one of our newest contributors, Zeena Schreck. Zeena also gives us a tale of Sethian Awakening in another short story, called Lost and Found. These are great stories and we are sure you will enjoy them! Zeena is spiritual leader of the Sethian Liberation Movement and you can learn more about that at www.zeena.eu

William S. Burroughs: My Confessional Letter to the Western Lands by Nikolas Schreck

Also onboard as a new contributor is Nikolas Schreck,  Zeena’s husband. The pair collaborated on the narration of the film Charles Manson Superstar. Here, Nikolas writes a letter to William S. Burrroughs, in which we learn, among other things, that David Bowie used Burroughs’ ‘cut-ups’ method of writing in his rocking LP Diamond Dogs, which was news to us! You can always learn something new in Beatdom!

Kitty Bruce on Lenny Bruce, Religion and Recovery, with Michael Hendrick

It seems like hardly an issue of Beatdom goes by that we do not mention Lenny Bruce, so this issue we are delighted to welcome his daughter, Kitty Bruce, to the pages of Beatdom. In this interview, she gives us the skinny on why Lenny had it in for religion, what it was like to grow up in a legendary showbiz household and what she is doing to preserve and celebrate the memory of her father.  Comedy would not be as near the cutting edge as it is today, if not for Lenny.

Forever Stung by Michael Hendrick

Something that runs through every issue of Beatdom is wonderful artwork. The sketch of Lenny Bruce, as well as the illustration for this story, were penned by the magnificently ghoulish Waylon Bacon. This story tells how one of our beloved editors was not always a worldwise, bigtime publisher…he was a kid who fell for one of the oldest tricks between the two covers of the Bible, the lure of the Christian cult. Fans of TV’s Seinfeld will note that he was a member of what became the ‘Christian Brothers Carpet Cleaners’.

Eating The Beat Menu by Nick Meador

Since we are mentioning Art, we find still another new contributor of artwork in Kaliptus, who joined us to illustrate this story on Jack Kerouac by returning contributor, Nick Meador. Nick looks at the Jungian implications of Buddhism and Catholicism and the effect they had on Kerouac as a writer, a person and a speck of the universe.

Tristessa: Heavengoing by Paul Arendt

In a similar vein, we present you with another scholarly study on Kerouac, and the schism in his life created by his divergent beliefs in both Buddhism and Catholicism.  In this essay,  Arendt uses a lesser-known work of Jack Kerouac, Tristessa, to make his point and to pull examples from. If you have not read Tristessa, this will make you want to. It will also enlighten you as to Kerouac’s state of mind when he wrote it.

One and Only By Gerald Nicosia reviewed by Michael Hendrick

In some issues, certain Beats seem to get all the attention and in this issue Kerouac is King, it would seem. The absence of  material on Ginsberg does not mean we forgot him.  Nicosia’s book is subtitled, ‘The True Story of ‘On The Road,’ and in interviews with Luanne Henderson, who memorably rode in the car with Jack and Neal Cassady as they criss-crossed America, we find out how Kerouac’s famous novel became his undoing and how Neal became trapped in the image of ‘heroic entertainer’.

The Weird Cult: How Scientology Shaped the Writing of William S. Burroughs by David S. Wills

Back to Burroughs, here, Beatdom’s Editor-In-Chief reports on how William S. Burroughs got pulled into the web of Scientology, how it affected his writing, how he eventually because disenchanted with the sect and how he went after the group’s founder and leader, L. Ron Hubbard in a very public way. Mr. Wills continues research on this topic and will release a book on his findings, probably next year by Beatdom Books. What follows is another photo from Mr. Wills’ essay…

Then just to show that not all is serious and based on fact, we have another short story by Velourdebeast, about what can happen to a person when they have no faith in anything at all and throw themselves at the mercy of the world. Velourdebeast is a mysterious contributor from points West, who was literally born on the pages of Beatdom!

Maggie Mae and the Band by Velourdebeast

There is much more to this issue than the photos above, but we can only put so much in one post. There is lots of poetry and art that we just do not have the time or space to explain here but, on that, we shall leave you, as Beatdom does, with this last-page illustration by Waylon Bacon! Just remember that this is a print journal. While many of you enjoy it on Kindle and other platforms, there is nothing like seeing it in print. We took these photos to show that, and while some of them may not be in the best lighting, etc, we trust you all get the idea.

Beatdom 10 is available now for $9.99 on www.amazon.com www.beatdom.com www.waylonbacon.com www.kindle.com and at the A.C.O.R Gallery in Reading, Pa, 610-898-7684

Beatdom Books on Kindle

It seems that one of the hottest Christmas presents this year was a shiny Kindle gift card. It’s really a great idea. There are a ton of wonderful publications on Kindle these days and they can be downloaded in a matter of seconds. But the problem is – as always – what to buy, of the many, many titles out there.

Well, call us biased, but we think that Beatdom Books has some great options. Of course, there are issues of Beatdom magazine – well, only issues nine and ten. These contain some brilliant essays, short stories, and poems, so there’s a little something for everyone. What’s more, they’re dirt cheap! A copy of Beatdom on your Kindle will set you back around a dollar.

If you’re looking for a novel to curl up with over the coming cold months, think about David S. Wills’ The Dog Farm, a rum-soaked romp from the “wrong side of the world”. It’s the second biggest story from the Korean peninsula in 2010, beaten only to the punch by the death of a tyrant.

For a shorter, weirder read, take a look at Spencer Kansa’s debut novel, Zoning. A tale of magic and madness from a warped world, this wild ride will keep you glued to your Kindle all night. Beat fans will probably know Kansa from his interviews with legendary Beat figures, including his friend, William S. Burroughs.

Why Bob Dylan Was Wrong About Lenny Bruce

“You are talking about a writer singing something that might rhyme,” says Kitty, “Bob Dylan has written wonderful songs but I sincerely don’t believe that my father didn’t want to live anymore.”

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B10 is Here!

Beatdom Ten is now on sale. This is the Religion-themed issue, which tackles topics like Jack’s back-and-forth with Catholicism and Buddhism, the role of religion in Tristessa, the influence of Hinduism on the Beat Generation, and William S. Burroughs’ decade-long dance with Scientology.

For the complete list of contents, see this page.

To buy the mag, there are several options: Either take a look at our Beatdom store, where you can also purchase David S. Wills’ novel, The Dog Farm, Spencer Kansa’s novel, Zoning, and back issues of Beatdom (PayPal required). Or, try Amazon, where you can find both the paper version and the Kindle one.

What Do The Rolling Stones Have In Common With Mr. Burroughs?

Aside from the love of guns, hard drugs, being cultural phenomenons and part-time movie stars, what did William S. Burroughs share with the Rolling Stones?

Recently released on DVD,  Stones In Exile is a documentary premiered by the BBC in May.  Amid the great footage of the boys (?) jamming and living at Keith Richards’ house in France, we get a gliimpse of the song-writing process that put Jagger/Richards on the pop map.

One pleasant surprise, among many, is the creation of the song, Casino Boogie.

Casino Boogie was written in the famous ‘cut up’ style created by Williams Burroughs and Brion Gysin. Words and phrases and cut from sentences and thrown into a hat. Then the cut up pieces of language are magically arranged by the forces that be and are divined by the artist, who randomly picks out the cut up pieces and puts them together into some semblance of order.  Burroughs based novels on the concept, as is explained in David S. Wills’ essay on Burroughs and Scientology in the soon-to-be-released Beatdom Number 10, The Religion Issue.

Here is what Mick and Keith did with their cut ups…just click on the link below.

Casino Boogie

Kitty Bruce Talks To Beatdom About Lenny Bruce and Religion

In November, Kitty Bruce, daughter and only survivor of  comedy icon/legend Lenny Bruce, was gracious enough to talk to Beatdom about her father’s distain for organized religion, as evidenced in a number of his comedy routines, life at home and Lenny’s House, the twelve step rehab for women in NorthEast Pennsylvania which she started in memory of her father.

Kitty tells us about her father’s, and her own, childhood in the new Beatdom Issue 10, The Religion Issue, on sale soon.

Was Lenny a Beat?

He was called that by police and press. Allen Ginsberg organized the “Emergency Committee Against the Harrassment of Lenny Bruce” during the 1964 Cafe Au Go Go trial in New York City.  Queried on the connection between Lenny and the Beats, Kitty said, “I’m very familiar with Allen, I knew Allen…if the question is,  did my father sit around coffee houses and snap his fingers?…probably not…haha..”

Many reached out to help Lenny when the law was out to kill him (Vincent Cuccia, one of the New York D.A.’s who prosecuted Bruce’s last obscenity case, said, “We drove him into poverty and bankruptcy and then murdered him. We all knew what we were doing. We used the law to kill him.”) and Kitty reaches back out to help women by providing a safe, sober and nurturing environment , providing support, education and other tools necessary to stay clean and sober. You can honor the memory of Lenny Bruce by donating to The Lenny Bruce Memorial Foundation, PO Box 1089, Pittston, PA 18640.

Many of Lenny’s prized possessions and memorabilia are up for sale, for those who would like to help Lenny’s House and also own a priceless item such as the typewriter Lenny used or his famously-photographed trenchcoat! Send inquiries to the address above.

Beatdom Issue 10, The Religion Issue, is coming your way in a few days. Read what Kitty Bruce has to say, along with many other fascinating writers and great work by our excellent artists!!!

Beatdom is available at www.beatdom.com and www.amazon.com and www.kindle.com

B10 – What to Expect

Issue Ten is the Religion issue of Beatdom, and as such, pretty much everything from cover to cover concerns religion in one way or another. The list of contents is below and unlikely to change before publication. At present the editors are locked away, furiously deleting double spaces after the period, executing typos with prejudice, and altering the images by 0.01 inches.

Expect this to be in your stockings by Christmas morning, folks. It’s a-comin’.

Tristessa: Heavengoing, by Paul Arendt

Maggie Mae and the Band, by Velourdebeast

horseshit, by Cliff Weber

Eating the Beat Menu, by Nick Meador

Bamboo Cathedral, by Louis Marvin

Stephen and Catherine, by Andrew Abbott

Forever Stung, by Michael Hendrick

Walt Clitman, by Robert Lyons

Lost and Found: A Fairy Tale of Sethian Awakening, by Zeena Schreck

The Weird Cult: How Scientology Shaped the Writing of William S. Burroughs, by David S. Wills

A Short History of Buddhism in Berlin, by Zeena Schreck

Starbucks, by Erren Gerand Kelly

Kitty Bruce on Lenny Bruce, Religion and Recovery, with Michael Hendrick

Under the Influence of William S. Burroughs: My Confessional Letter to the Western Lands, by Nikolas Shreck

An Altered Boy’s Lament, by BW Archer

Hinduism, by Geetanjali Joshi Mishra and Ravi Mishra

UPDATE – it’s on sale

Review: The Rum Diary (2011)

Review by Jamie Pinnock

Over a decade following his psychedelic explosion onto the silver-screen as Raoul Duke in Fear and Loathing in Las Vegas, Johnny Depp returns once more as the enigmatic father of Gonzo journalism, Dr Hunter S. Thompson, in an adaptation of one of his most revered novels, The Rum Diary. Directed by Bruce Robinson, famous for his atypically British cult classic Withnail and I, The Rum Diary sees Depp playing Paul Kemp, a young idealistic writer-turned-journalist who finds himself in the chaotic Caribbean climes of late-1950s Puerto Rico, working for the failing island newspaper, the Daily News.

Before long, Kemp joins the motley crew of vagrant and nonconformist American journalists working at the News, forming an affable on-screen partnership with photographer Bob Sala (Michael Rispoli). Kemp soon moves into a grubby apartment in the centre of the island with Sala and another journalist at the Daily News, the ultra right-wing Moburg (Giovanni Ribisi), whose propensity to severe inebriation soon engulfs both Kemp and Sala. In escapades fuelled by the ‘Moburg Bivocal’, a 470-proof home-brewed rum, the three journalists suffer frequent imbroglios with the lawless locals and the island’s corrupt police force, and even an encounter with Moburg’s hermaphrodite witchdoctor. This lethal medley of alcohol-consumption is surpassed only by Kemp and Sala’s introduction by Moburg to ‘the strongest narcotic known to man’, a brief psychedelic interlude that bears obvious allusions to scenes in Fear and Loathing in Las Vegas.

Yet, there exist two sides to The Rum Diary‘s Puerto Rico: one of alcoholic excess, struggling journalists, and lawless locals; and the other which is dominated and monopolised by the atavistic and hedonistic elite of American society,  constructing their American Dream on the Caribbean coastline. Struggling at the Daily News, Kemp is hired by Sanderson (Aaron Eckhart), a scheming American businessman, and soon bears full witness to the corruption and decadence of ‘Great Whites’ of American society. Through Sanderson, Kemp meets the stunning Chenault (Amber Heard) and becomes fully embroiled in a highly destructive love-triangle, soon becoming overwhelmed by his romance with the young beauty, who fully reveals to him the darker side of the hedonistic American Dream during a dramatic festival on the neighbouring island of St Thomas. While Chenault remains with Kemp fleetingly, she soon returns to New York, spurning both Sanderson and Kemp. By the end of the film, with the inevitable closure of the Daily News, Kemp is left jobless and destitute, but a changed man. He leaves the Caribbean loathing those ‘bastards’ who perpetuate  the American Dream, the dark side of which he has borne full witness to, and having found the ‘voice of ink and rage’ that he was searching for.

Although the The Rum Diary may arguably lack pace at points, the film is a highly entertaining one. Robinson instils the motion picture with moments of pure madness, hilarity and insanity, and creates an authentic feel of Puerto Rico at the turn of the Sixties with some truly stunning shots of the island’s scenery and a classic soundtrack that resonates with the energy of the Caribbean. Both Eckhart and Rispoli give very convincing portrayals of the atavistic Sanderson and the down-and-out, but down-to-earth, Bob Sala. And let’s not overlook Amber Heard, whose radiant performance as the heavenly Chenault will surely absorb many a male viewer. But particular praise must be given to Giovanni Ribisi, whose frenetic portrayal of Moburg, whose recklessness is a portent into the darker side of the excesses of the journalistic life itself, who at many points in the film steals the show. Ultimately, however, The Rum Diary is a testament to yet another captivating performance by Johnny Depp, whose long-awaited return to the silver-screen as Hunter S. Thompson does not disappoint.

But for the more zealous fan of Gonzo, for the true Fear and Loathing fanatic, whether you consider HST a cult hero, a literary genius, or even if you just look up to him recreationally, does it feel like there’s something missing from The Rum Diary? Compared to the lethal medley of alcohol abuse, chemical-induced frenzies and psychedelic rampages that grants Fear and Loathing in Las Vegas its much-deserved cult status, The Rum Diary seems ironically sober. But it is in this manner that Bruce Robinson has created a highly reputable motion picture, staying true to the essence of the novel. The Rum Diary is a precursor to Fear and Loathing in Las Vegas, showing the young idealistic Thompson trying to find his literary voice. A voice that, just over a decade later, erupts in all its glorious acrimony in the pages of Fear and Loathing, pitted against the same depravity of the American Dream that he first encounters during his days in Puerto Rico. Bruce Robinson’s final message to the viewer thus encapsulates the very essence of The Rum Diary: ‘This is the end of one story. But it is the beginning of another’.

The Beat Hotel…World Premiere Dec. 8 at Cinematheque, Copenhagen

Beat Hotel Trailer

8th December 2011

Copenhagen

The world premiere of  Alan Govenar’s 2011 documentary, The Beat Hotel, will screen at 8:00PM December 8 at Cinematheque, Copenhagen,  as part of a month-long film series dedicated to ‘all things Beat’.  Click on the words in red above for “Beat Hotel Trailer”.  Here is a description of The Beat Hotel from the film’s website:

The Beat Hotel, a new film by Alan Govenar, goes deep into the legacy of the American Beats in Paris during the heady years between 1957 and 1963, when Allen Ginsberg, Peter Orlovsky and Gregory Corso fled the obscenity trials in the United States surrounding the publication of Ginsberg’s poem Howl. They took refuge in a cheap no-name hotel they had heard about at 9, Rue Git le Coeur and were soon joined by William Burroughs, Ian Somerville, Brion Gysin, and others from England and elsewhere in Europe, seeking out the “freedom” that the Latin Quarter of Paris might provide.

The Beat Hotel, as it came to be called, was a sanctuary of creativity, but was also, as British photographer Harold Chapman recalls, “an entire community of complete oddballs, bizarre, strange people, poets, writers, artists, musicians, pimps, prostitutes, policemen, and everybody you could imagine.” And in this environment, Burroughs finished his controversial book Naked Lunch; Ian Somerville and Brion Gysin invented the Dream Machine; Corso wrote some of his greatest poems; and Harold Norse, in his own cut-up experiments, wrote the novella, aptly called The Beat Hotel.

The film tracks down Harold Chapman in the small seaside town of Deal in Kent England. Chapman’s photographs are iconic of a time and place when Ginsberg, Orlovsky, Corso, Burroughs, Gysin, Somerville and Norse were just beginning to establish themselves on the international scene. Chapman lived in the attic of the hotel, and according to Ginsberg “didn’t say a word for two years” because he wanted to be “invisible” and to document the scene as it actually happened.

In the film, Chapman’s photographs and stylized dramatic recreations of his stories meld with the recollections of Elliot Rudie, a Scottish artist, whose drawings of his time in the hotel offer a poignant and sometimes humorous counterpoint. The memories of Chapman and Rudie interweave with the insights of French artist Jean-Jacques Lebel, author Barry Miles, Danish filmmaker Lars Movin, and the first hand accounts of Oliver Harris, Regina Weinrich, Patrick Amie, Eddie Woods, and 95 year old George Whitman, among others, to evoke a portrait of Ginsberg, Burroughs, Corso and the oddities of the Beat Hotel that is at once unexpected and revealing.

Here’s a quick rundown of all films showing:

THE BEAT HOTEL   also 12/16   730pm
Alan Govenar, 2011 / 82 min.

WILLIAM S. BURROUGHS: A MAN WITHIN 12/15   5pm    12/21, 7pm
Yony Leyser, 2010 / 87 min.

ONE FAST MOVE OR I’M GONE: KEROUAC’S BIG SUR   12/10 445pm,  12/18 7pm
Curt Worden, 2008 / 98 min.

FERLINGHETTI  12/13 730pm  12/28 815pm
Christopher Felver, 2009 / 80 min.

WORDS OF ADVICE + LOWELL CELEBRATES KEROUAC 12/14  730pm  17/18 730pm   12/27   715pm
Lars Movin & Steen Møller Rasmussen, 2007 & 1998 / 74 min. + 35 min.

THE SOURCE    12/9    730pm    12/29      615pm
Chuck Workman, 1999 / 88 min.

A SELECTION OF SHORT BEAT FILMS:

PULL MY DAISY (Robert Frank & Alfred Leslie, 1959 / 30 min.)      12/17   215pm  and    12/30  745pm
TOWERS OPEN FIRE (Antony Balch, William S. Burroughs, Brion Gysin & Ian Sommerville, 1963 / 10 min.)
WHOLLY COMMUNION (Peter Whitehead, 1965 / 33 min.)
THE DISCIPLINE OF D.E. (Gus Van Sant, 1982 / 13 min.)
THE JUNKY’S CHRISTMAS (Nick Donkin, 1993 /

Homophobia in the Media’s Treatment of New Ginsberg Movie

So Daniel Radcliffe is going to play Allen Ginsberg in a new movie, called Kill Your Darlings. The movie is about the murder of David Kammerer by Lucien Carr, a story which is part of Beat lore.

Yet for some reason, when you search for news about this announcement on the internet, it seems that there is a varying level of interest in the subject matter. More high-brow publications are fascinated by the story of Boy-Wizard-Turns-Beat-Poet, whereas at the other end of the scale, there is astonishment that this wholesome young man is portray – gasp! – a homosexual.

Ok, so Allen Ginsberg was gay and was not shy of making that fact known. David Kammerer was also a homosexual, and as the victim of the murder central to the movie’s plot, it is not homophobic at all to mention that the movie will likely contain some references to homosexuality. Indeed, Radcliffe himself mentioned to the French media that he would be playing “a gay character” in his next movie. Yet, the media seems disproportionately interested in this fact, as though there is something seedy or twisted about him (apparently inseparable from his most famous role) playing a gay man.

Let’s take a look at some of the media coverage.

The news appears to have been broken by Twitch, which – along with a few other publications – reported the story responsibly, mentioning that Radcliffe had claimed he was playing a “gay character” in his next movie (although mistakenly refers to Carr as Kammerer’s lover). We also have an announcement from the UK Press Association. It also does not play up the gay angle, and only mentions that his character is a homosexual in relation to what Radcliffe told the French press.

Daniel Radcliffe is apparently going to play beat poet Allen Ginsberg in his next film.

The Harry Potter star was quoted in the French press last week saying that he would very likely be playing a gay character in a film to be released in 2012.

Now movie blog Twitch.com reports he has been cast in Kill Your Darlings, a thriller based on actual events, and centred around the relationship between Allen Ginsberg, Jack Kerouac and Lucien Carr.

Carr is credited for connecting writers Ginsberg, Kerouac and William S Burroughs but is best known for being found guilty of the murder of his lover David Kammerer in 1944.

The film is to be directed by script writer John Krokidas and previously began production in 2009 with Captain America’s Chris Evans, Jesse Eisenberg and I’m Not There’s Ben Whishaw attached to play Kerouac, Ginsberg and Carr, respectively.

It is not known if any of these actors are still attached to the project.

James Franco recently played Ginsberg in biopic Howl, released last year.

There is some more responsible reporting from The Guardian, which only mentions that the movie involves a “gay stalker”, which is true and central to the plot of the film. NME mentions the “gay stalker” and also references Radcliffe’s hint at a “gay character”.

At the other end of the spectrum there is The Sun, which unsurprisingly revels in playing up the gay angle. The sensationalist title reads, “Potter’s Dan Radcliffe to Play Gay Poet”. The article then focuses almost entirely on the fact that Radcliffe is playing a homosexual character, implying that there is something wrong with this, and something wrong with homosexuals. It mentions that Ginsberg was “openly gay” as though this is something we should still be shocked by, and even sinks as low as to dredge up rumours that Radcliffe himself is a homosexual. The language used to describe is “battle” against being thought of as gay, and the fact that they think it is worth mentioning that he supports tolerance towards homosexuals is appalling.

His new role is a brave move for the star, who has battled rumours that he is homosexual.

He has also donated cash to a US charity that promotes tolerance towards gay men, lesbians and bisexuals.

In March 2010 he denied being gay following internet speculation about his sexuality.

That this is even worth mentioning shows a worrying degree of prejudice on the part of the writers and editors… although given the history of the “news”paper, it is hardly a surprise.

We also have some shoddy reporting AceShowBiz, who deem the gay element of the film so important that they place it firmly in the title of their article. The article then focuses on the fact that Ginsberg was a homosexual, implying – as did The Sun – that this makes him an unwholesome, undesirable character to play. But how much stock can you put in an article written by someone who fails to realise that Ginsberg has been dead for more than a decade (“…is a gay rights activist…”) and stated that Kammerer and Carr were “lovers”, when in fact Kammerer’s obsession with Carr was entirely one-sided.

The HuffPo also falls into the trap of referring to Kammerer and Carr as “lovers”, and also calls the movie, “gay-themed”. I can’t say that I’ve seen the screenplay, but I’d be surprised if it was gay-themed, whatever that means. More likely it’s a movie about a pivotal event in literary history, focused on a murder. I doubt that they’d refer to any other thriller as, “straight-themed” or play up the sexuality of a couple of heterosexuals.

Towleroad quite likely has the best headline relating to the Radcliffe/Ginsberg story, saying: “Daniel Radcliffe to Play Allen Ginsburg (sic) in Gay-Themed Thriller”. So not only have they fallen into the trap of assuming this movie is all about homosexuality, just because it features a gay character, but they have misspelled that gay character’s name!

A website called Fansshare evidently seems set on claiming that worst title award, with: “Daniel Radcliffe to Star in Gay Movie”. That seems a little misleading, as though Radcliffe were starring in a gay porno. The article then says that he “has to portray a gay man,” which is just awful phrasing, and then has a whole paragraph devoted to whether or not he will have to kiss another male. One can almost hear the editors tittering in the background.

The website FilmSchoolRejects sadly states that it’s wrong for actors to play gay characters at the risk of setting a bad example for kids: “…now he’s playing a homosexual drug addict. That’s a little much for someone who, just a few months ago, was an idol to little kids. How about we dial it down a notch Daniel?”

Overall, coverage of this breaking story has been embarrassing. If you search Google News for “Daniel Radcliffe Allen Ginsberg”, you will be hard-pressed to find a source that doesn’t play up the gay angle. More worryingly is the number that includes “gay” in the title or subtitle of the article, highlighting the importance it holds to the author or editor of that publication. That sexuality is such a big deal in 2011 is a damning indictment of our society, and media outlets do us no favours by displaying their shock when a young man – a hero to children! – decides to play a homosexual character, or jumps to the conclusion that a movie featuring a gay character will inevitably be “gay-themed” or just plain “gay”.

Then again, look at these articles. They basically plagiarise one another, contain numerous glaring factual inaccuracies, refer to “Ginsburg” as a “beatnik” (a derogatory term), and often refer to Radcliffe as Harry Potter. Are these professional journalists that are writing? Are they responsible, intelligent bloggers? Does it appear that anyone has cast any form of editorial eye over these pieces of shoddy reporting? No. Perhaps Google “News” should have more stringent criteria for the reporting that cluttering my feed.