Bonnie Bremser’s road book For Love of Ray gives a harrowing account of the effects of poverty on travellers. Poverty seems a necessary part of the authentic road experience, since it involves exile from mundane existence and steady income. Like Jack Kerouac’s mythic progenitors Sal Paradise and Dean Moriarty, the duo around which the story revolves are penniless drifters on the road in Mexico. But Ray and Bonnie Bremser were newly married with a child, and so the text allows insight into their bohemian marriage. This article focuses on how the Beat path runs for the woman in the relationship, with differences becoming apparent when Bonnie begins to work as a prostitute in order to remedy their poverty. Continue Reading…
In Search of the Origin of Burroughs’ Mythical Trust Fund
From Beatdom #16
William S. Burroughs was always quick to observe that, thanks to the novels of Jack Kerouac, he had been saddled with the reputation of being a rather wealthy man. He once explained to an audience:
I have never been able to divest myself of the trust fund that [Kerouac] foisted upon me. I mean there isn’t any trust fund. There never was a trust fund. When I was not able to support myself… I was supported by an allowance from my family… my hard working parents who ran a gift and art shop in Palm Beach, Florida, called Cobblestone …
But you see Kerouac thought a trust fund was more interesting and more romantic. Let’s face it there was a very strong Sunday supplement streak in his mind. And he also saddled me with a Russian countess. Well, she was a bit easier to get rid of than the trust fund. And he nurtured the myth of the Burroughs millions. There are no Burroughs millions except in the company. And the family got nothing out of it… Continue Reading…
Larry Beckett is generally best-known as a songwriter, yet probably better known to Beatdom readers as the author of Beat Poetry – the first book entirely devoted to the poetry of the Beat Generation. Yet he has devoted much of his life to writing poetry, and earlier this year he released an impressive book called Paul Bunyan through Smokestack Books in the UK.
Paul Bunyan is part of Beckett’s American Cycle series of “long poems” concerning junctures in American history. In an interview with Shindig! Magazine, he explained:
When I started reading American literature, I looked around for its great narrative epic poem, and didn’t find it. So American Cycle is a sequence of long poems out of the American past: US Rivers: Highway 1, Old California, Paul Bunyan, Chief Joseph, Wyatt Earp, PT Barnum, Amelia Earhart, Blue Ridge, US Rivers: Route 66. I’ve been working on it for 45 years; I’m now doing research for the last section, John Henry. Each section is written in a form appropriate to its subject. Its themes are love, local mythology, history, justice, memory, accomplishment, time.
“When you look back over a year on the junk, it seems like no time at all”
— William Burroughs,
William Burroughs (1914-1997), the eccentric, the sardonic humoured, and the rebellious; he is a writer who took all traditional forms of literature and threw them into the garbage. Or rather, cut them into fragments, mixed them all around, and glued them back together in complete and utter random selections of prose. This is the technique in which he composed Naked Lunch, along with the help of Jack Kerouac (1922-1969) and Allen Ginsberg (1926-1997) in 1957, and published in 1959. Considered to be “literature of risk” (Charters 103), it tells the story of Burroughs’s alter ego, William Lee, as he narrates his narcotic-fueled life of chosen criminality. Street life and crime are common themes throughout these texts, along with other works ranging from novels, poems, and letters of correspondence that take the form of various mediums—novels, poems, audio lectures, short films, etc. These two correlative themes are represented through an array of eclectic personas. Judith Butler’s theory of performativity is useful in examining Burroughs’s work to underscore the performative acts that his characters, and himself, take on as a way of elucidating that identity is formed through bodily acts to suit the needs of a discursively constructed self. Continue Reading…
The new issue of Beatdom is now on sale!!! You can buy it HERE.
The Burroughs Millions – David S. Wills
The Debt Collector – Neil Randall
Herbert Huncke Excerpt – Hilary Holladay
Finding Ferlinghetti – Calvin White
Ginsberg in the Underground: Whitman, Rimbaud and Visions of Blake – Delilah Gardner
Nothing is Perfect – Bob Pope
A Negative Score on the Happiness List: The Economics of Hustling in Bonnie Bremser’s For Love of Ray – Katie Stewart
The American Dreamer Goes the Way of the American Hobo – Gina Stritch
Telling All The Road – Max Bakke
Review: At the End of the Road
Beaten White – Alyssa Cokinis
The Surrealist – Brandon Lee
Review: The Whole Shot
Reconsidering Kerouac a Half-Century Later – Richard Kostelanetz
Cover by Waylon Bacon
Thick WCW bio
Heavy to hold, sticks to my lap
Who is this man, Horace?
Who is the Carlos between the Willyams?
Heroes Cristóbal Colón, Will Shakespeare, and George of Washington
French-speaking Puerto Rican mother
Spanish-speaking English father
In apple-pie Ruther ford, Madox Continue Reading…
We at Beatdom would like to congratulate the people of the United States on an event of monumental importance. Today, the Supreme Court voted to make same-sex marriage a right across all states. It is truly a time for celebration. The Beat Generation was, of course, a movement concerned with love and acceptance, and as such I’m sure our readers will be delighted at this news.
Many of you will know that Allen Ginsberg, who campaigned hard to bring gay rights to public attention, was “married” to Peter Orlovsky – his lover of about forty years. Of course, back 1955 gay marriage was not only illegal, but almost unimaginable in the public consciousness. Yet in February, 1955, at Forster’s Cafeteria in San Francisco, they took an informal set of marriage vows and considered themselves married until Ginsberg’s death in 1997.
The key thing was when we decided on the terms of our marriage—I think it was in Foster’s cafeteria downtown about three in the morning. We were sitting and talking about each other, with each other, trying to figure out what we were going to do, who we were to each other, and what we wanted out of each other, how much I loved him, and how much did he love me. We arrived at what we both really desired. Continue Reading…
“The News from Poems” the Sixth Biennial Conference of the William Carlos Williams Society at William Paterson University ended on a majestic note with a stunning video featuring the music of Frederick Adler, M.D., black-and-white images by the architect and visual artist Jonathan Sinagub, and the words of William Carlos Williams from his epic poem “Paterson,” in a combined work titled “Paterson Project.” www.patersonproject.com
The Road begins in Paterson, as in Sal Paradise’s Paterson, as in WCW’s Paterson, as in Ginsberg’s hometown P-town, New Jersey, as in George Washington’s “coat of Crow-black homespun woven in Paterson,” Alexander Hamilton, yes, that Paterson . . . Paterson of the great Peruvian restaurants and immigrant experience – yes, that Paterson.
Scholars from as far away as Melbourne and Kyoto attended the event.
“If two things are two sides of the same coin, they are very closely related although they seem different”
– The Cambridge Dictionary
As one might guess, the name of the world’s most successful (Hotten) band in history – the Beatles – does not completely incidentally sound so similar to that of the influential group of writers that called themselves the Beat Generation. What one might not guess, however, is how manifold and deeply rooted their connections are.
It must be said from the outset that there are multiple stories surrounding the origin of the Beatles’ name. Stuart Sutcliffe, the so-called ‘fifth Beatle’, who was a study friend of John Lennon and only a part of the first beginnings of what would later become the Beatles, suggested they call themselves ‘the Beatals’ in January 1960, as a tribute to the then famous rock ‘n’ roll band Buddy Holly and the Crickets. In the months that followed this name changed to ‘the Silver Beetles’ (May), ‘the Silver Beatles’ (July), and eventually ‘the Beatles’ (August) (Lewisohn 18-22). John Lennon himself in 1961, before their enormous success came about, already rejected every notion of a ‘meaning’ behind the name:
Many people ask what are Beatles? Why Beatles? Ugh, Beatles, how did the name arrive? So we will tell you. It came in a vision – a man appeared on a flaming pie and said unto them, ‘From this day on you are Beatles with an ‘A’’. Thank you, Mister Man, they said, thanking him.
(qtd. in Coupe 131) Continue Reading…
It was about eight years ago that I founded Beatdom magazine. I don’t remember the exact date and I didn’t keep a journal back then, but a while ago I was able to trace the date down to about mid-to-late-May of 2007, and so every year at this time we celebrate our birthday.
Back then I was just about to graduate from university and I realized that the job market was pretty dire for people with an MA in Literature and no other real life experience. I started the literary journal as a way of cheating the system… It was, you could say, an odd choice. A more experienced person might have observed that literary journals seldom make the sort of money one could live on. Continue Reading…